Cutting down the data you have to work with at this stage generally makes processing easier. Cinemagraphs are usually relatively small files.
It is a good idea to choose a smaller working size for your video, as the final image will usually be around 800 or 600 pixels on the longer sideĭimensions of your video. (with the mountains) so that you can see everything properly. With very short videoĬlips you may need to Zoom in the Timeline using the slider at the bottom Video) with the video itself, so they run for the same time. The next step is to align the Layer 2 (your photograph from one frame in the Using two layers to create our Cinemagraph it is not needed.Īlign the static image with the video segment, so they run for the same time You could rename them, forĮasier identification, if you were working with more items. On the Timeline a Video Group 1 and a Layer 2. You'll see a new track created in the timeline. The right panel and move it above the Video Group. Now we want to move the image to its own track in the video time line, so grab the layer on In on the Layers panel, on the right, it appears as a separate layer. Video Timeline creates a static image after the video clip on the same track.
Step 2: Move Static Image to Separate Track The static frame chosen as a photograph is now above the video After you move the static image layer on the layers panel, a new layer appears on the Timeline. Once you’ve identified the frame, select the image by clicking the video and Select All ( Control-A) and Copy Merged ( Shift-Control-C), then and Paste Is to select one frame that you want to use as the baseįor your static image. Start by selecting and opening your video in Photoshop. Step 1: Open Your Video in Photoshop and Create a Static Frame Once the video segment opens in Photoshop the timeline shows it so you can choose your static frame. FollowĪlong in the example shown in the text and images below. Image, and then select the sequence of frames for the animation. Multiple ways to create cinemagraphs, but the easiest of them is toĬhoose a segment of video, select a static image from it to use as the base Potential of the technique, and with time you'll be able to create more Go for simple animations first, to explore the tools and Some ten seconds of video will provide you with more than enough material to create your firstĬinemagraphs. Video can be shot at different frame rates, from 24 fps upwards. Shooting video means you have more frames to choose from, as Although it is possible to shoot a sequence of photos to use, video is a better way to go.
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Record Video to Make Cinemagraphsīest way to control the whole process is to use a software like Adobe The program provides a simple, yetĮxpressive, way to mix static and dynamic elements from a video clip. Is an interactive program that gives users the power to create "Cliplets", a type of imagery that sits between stills and video, including imagery suchĪs video textures and cinemagraphs. Microsoft Research Labs, for PC, is a good option.
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To create a cinemagraph using free software, the Cliplets software from
If you are capable of holding very still and have image-stabilization in your camera or lenses this can work, but it's tricky to do consistently. A static frame is also important for creating that feeling of continuity. Repetitive movements work best: they create the illusion of perpetual motion. All kinds of subjects make interesting cinemagraphs.
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